It's by no means, a great film. It is however, a chesstaculary fun over the top movie.
Probably the best part of the film, is William Fichtner as "The Accontant", that and Nicholas Cage's hair.
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About me
What you should know about me:I own a pet cat, love cheesy action and horror movies, occasionally watch hockey, love listening to pretty any kind of music, hard rock, classic rock and pop, old school rap, 80's and 90's music, heavy metal, you name it, and I am also from Canada.
Also known as Jamie M.
About voting:
I'll try to get to voting as many lists, as humanly possible, in my spare time.
Since there's alot of awesome lists and pictures, out there I'll try to vote as many times as I can.
About lists that are in work: It will be huge undertaking, so some will take longer than others to finish off.
About the ratings:
***** Great or awesome
****. Good
***. Decent or Ok
**. Meh
*. It stinks!
No Stars. You get the idea.
Occupation: Grocery Store Clerk
Recent reviews
Drive Angry review
1 comments, Reply to this entry
The Interview review
Having just seen The Interview, I would have to say it was pretty great film. Granted, some of the jokes where hit and miss, but it was still not that bad of a movie.
0 comments, Reply to this entry
Jack and Jill review
I would say that this is a bottom of the barrel comedy, but I would be insulting both barrels and the bottom of barrels.
2 comments, Reply to this entry
Whitney review
Tried watching this show a couple of times, but gave up on it after a few episodes. The fact that Whitney, is still on the air and that Community could be placed on an indefinite hiatus, and possibly cancelled by the "evil peacock network", says a lot about the "evil peacock network"'s priorities.
0 comments, Reply to this entry
Season of the Witch review
If your ever wondered, what The Name of The Rose, Monty Python and The Holy Grail, and The Devils, would be like featuring stilled dialogue, cheesy CGI, a predictable plot you can see coming from a mile away, and Nicholas Cage, then this film is for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
0 comments, Reply to this entry
Vanishing On 7th Street review
It was an okay film, with an okay premise, but it fell apart at the very, very end.
1 comments, Reply to this entry
Dragonball Evolution review
Best comedy, ever!
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
0 comments, Reply to this entry
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Why the Box Office?: Films of 1980s: 1983
(56 items)Movie list by Agent Kermit D. Fonz Published 1 week, 6 days ago
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Gone, but not forgotten
(2174 items)Person list by Agent Kermit D. Fonz Published 1 year, 10 months ago
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Why the Bomb?: Films of 1980’s: 1983
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Why The Box Office?: Films Of The 1980’s: 1984
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Movie list by Agent Kermit D. Fonz Last updated 2 days, 9 hours ago
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Why The Box Office?: Films of 1980s: 1982
(54 items)Movie list by Agent Kermit D. Fonz Published 1 week, 6 days ago
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Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
The 1983 animated featurette Mickey's Christmas Carol, directed by Burny Mattinson and featuring the voices of Alan Young and Wayne Allwine, is a heartwarming adaptation of Charles Dickens' classic tale that marked Mickey Mouse's return to the big screen after a 30-year absence.
Because Mickey's Christmas Carol was a 26-minute featurette, it did not have a standalone traditional box office run. Instead, it generated $21 million in revenue against an estimated $3 million budget by playing as an opening attraction alongside major theatrical re-releases.
How It Made Money
Theatrical Pairing: In North America, Disney attached the short to a major theatrical re-release of The Rescuers, while international markets paired it with The Jungle Book.
Nostalgia Marketing: It was heavily marketed around Mickey Mouse’s highly anticipated return to the big screen after a 30-year absence from theaters.
Home Media & Television: It quickly transitioned into a highly profitable annual holiday staple via television broadcasts, VHS sales, and eventually streaming platforms.
Unanimous Praise: Critics and audiences warmly embraced the film, celebrating it as a beautifully animated, concise, and faithful adaptation of Charles Dickens' classic tale.
Mickey's Return: Viewers were deeply nostalgic and thrilled to see Mickey Mouse and the classic Disney cast return to the big screen after a 30-year theatrical absence.
Instant Holiday Classic: Reviewers highly praised Alan Young's debut performance as Scrooge McDuck, instantly cementing the short as an annual holiday tradition for families.
4 hours, 29 minutes ago
Agent Kermit D. Fonz added 2 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 3 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Released in 1983, A Christmas Story was directed by Bob Clark and starring Peter Billingsley as Ralphie, this definitive 1940s comedy follows a boy's desperate quest for a Red Ryder BB gun, evolving from a modest $19.2 million box office run into an iconic holiday masterpiece via 24-hour cable marathons.
The Modest Launch: Studio executives struggled to market its quirky, nostalgic style, leading to a limited 900-theater release with minimal advertising that earned a quiet but profitable $19.2 million on a $3.3 million budget.
Why It’s the Gift That Keeps On Giving:
The Critical Shift: Initial reception was mixed-to-positive—with some critics praising its nostalgic charm and others knocking its episodic structure—before evolving into today's unanimous modern consensus as an adored holiday masterpiece.
The Cable Legend: Home video rentals and the legendary 24-hour holiday marathons on TBS and TNTultimately bypassed the quiet theatrical run, transforming the film into a massive, permanent cultural phenomenon.
A Canadian Holiday Staple: While celebrated globally, A Christmas Story features major Canadian roots with filming locations in Toronto and St. Catharines, Ontario, making it a regular prime-time centerpiece on the CBC holiday broadcast lineup.18 hours, 50 minutes ago
Agent Kermit D. Fonz added 3 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Strange Invaders is a 1950s-style sci-fi mystery—directed by Michael Laughlin and starring Paul Le Mat and Nancy Allen, about a university professor who discovers his missing ex-wife's hometown has been covertly overtaken by extraterrestrials who begin hunting him after he leaks the story to a tabloid.
Why people found Strange Invaders too strange.
Huge Financial Deficit: The film generated a mere $1.36 million to $1.6 million USD globally, recouping roughly only a quarter of its $5.5 million USD production budget.
Lack of Star Power: The studio heavily pushed to hire a mainstream celebrity to sell tickets, but casting ultimately landed on the relatively lower-profile actor Paul Le Mat.
Studio Interference: Bureaucratic friction between co-producers Orion Pictures and EMI Films forced major script rewrites that watered down the plot and trimmed government cover-up subplots.
Niche Appeal: Mainstream 1983 audiences completely bypassed the movie's specialized, quirky 1950s pulp sci-fi homage, despite highly favorable reviews from nostalgic critics.
Canceled Trilogy: The box office disaster permanently forced director Michael Laughlin and co-writer Bill Condon to cancel their planned "Strange Trilogy," though Condon would later find massive Hollywood success directing hits like Gods and Monsters and Dreamgirls.
1 day, 23 hours ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Smokey and the Bandit Part 3 is a 1983 action comedy film directed by Dick Lowry and starring Jackie Gleason, Jerry Reed, Paul Williams, Pat McCormick, and Colleen Camp that follows Sheriff Buford T. Justice as he attempts to transport a fake shark from Miami to Texas, completely unaware that Big and Little Enos have hired Cledus "Snowman" Snow to disrupt the journey.
Anyone got it?
How does one tank a series?
Absence of Core Talent: Franchise star Burt Reynolds and original director Hal Needham both refused to return, leaving an unfillable void only patched by a one-second archive cameo from Reynolds.
Production Identity Crisis: Universal originally filmed Jackie Gleason playing both the Bandit and the Sheriff, but confusing test screenings forced expensive reshoots that frantically pushed Jerry Reed into the lead role.
Critical Backlash: Fans and critics completely panned the movie as a shameless, lazy cash grab filled with uninspired stunts and heavily recycled plot lines.
Financial Collapse: The film became a major box office bomb, grossing a meager $7 million against a $9 million budget and permanently killing the theatrical franchise.
Genre Death: Mainstream audience tastes shifted toward sci-fi and modern action, permanently ending the 1970s era of Southern car-chase comedies.
Career Derailment: The saturation of consecutive flops like this permanently stripped Burt Reynolds of his decades-long status as Hollywood's top box-office draw.
2 days ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Directed by Joseph Sargent , the 1983 horror anthology film Nightmares stars Cristina Raines, Emilio Estevez, Lance Henriksen, Richard Masur, and Veronica Cartwright in four short stories about a housewife encountering an escaped killer, an arcade junkie trapped in a video game, a faithless priest hunted by a demonic truck, and a family terrorized by a giant rat.
Why was Nightmares, a box office Nightmare?
Box Office & Financial Failure
Financial Loss: Although it made back its $6.67 million production budget, it was a box office flop once marketing, distribution, and theater splits were counted.
Cult Status: The movie later found success and a cult following through VHS rentals and cable television airings.
Production & Creative Limitations
TV Roots: It was originally shot as an NBC television pilot, leaving it with a cheap, flat visual look after Universal added filler footage for theaters.
Lack of Scares: Because it was made for TV, it lacked the gore and intensity that horror fans in 1983 expected.
The 1983 Anthology Trend
Studio Cash-In: Universal rushed the film into theaters to profit off the anthology craze sparked by Creepshow and Twilight Zone: The Movie.
Heavy Competition: It ultimately failed to compete against these much larger, higher-quality genre films.
Lasting Industry Impact
Death of Theater Anthologies: Its failure, alongside Creepshow 2, scared major studios away from funding big-screen horror anthologies for decades.
Move to Television: Its success on cable proved the format worked better on the small screen, directly inspiring hit TV shows like Tales from the Darkside and Tales from the Crypt.
Indie Revival: The theatrical format only returned decades later through low-budget, independent streaming franchises like V/H/S.2 days, 1 hour ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Directed by John Herzfeld, the 1983 romantic-fantasy film Two of a Kind stars John Travolta and Olivia Newton-John as two deeply flawed humans who must learn to selflessly sacrifice for each other so that a group of angels can convince God not to destroy Earth.
Budget and Box Office:
With a budget estimated at $14 million, and grossing $23.6 million domestically, it considered to be a box office disaster because the theatrical returns failed to cover marketing costs or meet studio expectations.
Why the Movie Failed:
Bizarre plot: A confusing storyline about angels trying to save Earth from destruction ruined its appeal as a romantic comedy.
Bad reviews: Critics savaged the film's cheap effects and dialogue, earning it a Razzie nomination for Worst Picture.
Unlikable characters: Forcing the Grease duo into a chaotic crime story made them unappealing to audiences.
Dead genre: By 1983, viewers had lost patience with cheesy Hollywood musical-fantasies, preferring gritty dramas and sci-fi blockbusters.
Impact on the Soundtrack and Stars
Successful soundtrack: Despite the movie's failure, the soundtrack became a platinum hit with chart-topping tracks like "Twist of Fate."
Travolta's career spiral: The flop shattered John Travolta's star status and sent his career into a decade-long downward spiral until Pulp Fiction (1994).
Newton-John's pivot: The film ended Olivia Newton-John's run as a Hollywood leading lady, though her pop stardom survived, allowing her to transition into business and health advocacy.
2 days, 8 hours ago
Agent Kermit D. Fonz added 27 items to Why the Box Office?: Films of 1980s: 1983 list
2 days, 8 hours ago
Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 10 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 12 items to Why the Bomb?: Films of 1980’s: 1983 list
2 days, 9 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Warner Bros.' 1983. hit National Lampoon's Vacation (directed by Harold Ramis, theme by Lindsey Buckingham) stars Chevy Chase, Beverly D'Angelo, Anthony Michael Hall, Dana Barron, Imogene Coca, and Randy Quaid in a chaotic, franchise-starting cross-country family road trip to Walley World.
Clark Griswold is about to take his family on a vacation, they will not soon forget. That is they can survive.
Why Audiences Wanted to Vacation With the Griswolds
Relatable Chaos: Captured the messy reality, forced optimism, and endless mishaps of real American family road trips.
Clark Griswold: Chevy Chase perfectly embodied the well-meaning father whose obsession with perfection causes disasters.
Star Creators: Written by John Hughes and directed by Harold Ramis, ensuring top-tier suburban satire and slapstick.
Box Office Win: Grossed over $61 million domestically against a modest $15 million budget.
Lasting Legacy: Launched a major comedy franchise and became an enduring summer classic.
Chevy Chase’s Career; Career Lifeline: Rescued his career after a string of post-SNL box office flops.
Box Office Validation: Proved he could carry a major studio film as the undisputed lead actor.
New Persona: Shifted his image from a cool, detached smart-aleck to a bumbling, relatable suburban family man.
A-List Status: Launched his highly successful mid-to-late 1980s golden era (Fletch, Three Amigos!).2 days, 22 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
In 1983, director Terry Jones and the Monty Python cast tackled the mystery of human existence through a chaotic series of sketches featuring corporate pirates, philosophical fish, and a gorged man exploding from a wafer-thin mint.
The Great Financial Collapse
The Initial Swindle: Fools and their money parted to the tune of a $1.98 million opening weekend, entirely fueled by blind hype and a bloated $9 million budget!
The Rapid Plunge: Word got out that the film was a disaster, causing ticket sales to drop off a cliff and capping the total haul at a miserable $14.9 million!
The Artistic Insult & Physical Trauma
The Lazy Structure: They completely abandoned proper storytelling to regress into a disjointed, chaotic sketch format like lazy television writers!
The Vomit Factor: Hardcore lunatics celebrated, but normal cinema-goers were utterly repulsed by stomach-churning, graphic sequences like the atrocious Mr. Creosote scene!
The Backstage Shambles: Six tired, bickering Pythons let creative exhaustion ruin the final product, leaving critics and audiences equally miserable!3 days, 11 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Metalstorm: The Destruction of Jared-Syn, released in 1983 and directed by Charles Band, this low-budget, 3-D sci-fi adventure stars Jeffrey Byron and marks the big-screen debut of Kelly Preston as a futuristic ranger battles an evil dictator across a harsh desert planet, grossing $5.3 millionby capitalizing on the era's gimmicky 3-D craze.
Front-Loaded Box Office: The film grossed $5,301,085 domestically against a $2.5M – $3.5 million budget, finishing the year ranked at #101.
Rapid Drop-Off: It earned 38.1% of its lifetime gross during its $2,019,000 opening weekend, as poor word-of-mouth instantly crushed its momentum.
Stiff Competition: It snuck into the weekly Top 10 across 549 theaters, but couldn't beat a fading Return of the Jedi, which had already been out since May.
The "3-D Craze" Factor: Despite the low overall numbers, the indie production covered its costs by capitalizing on the 1983 3-D movie trend to lure in curious teens.
Kelly Preston and Her Debut
Big Screen Debut: Released in August 1983, it was one of her earliest film roles (credited as Kelly Palzis), playing the co-lead character, Dhyana.
Box Office Success: The low-budget sci-fi indie grossed $5.3 million, quickly recouping its costs by capitalizing on the 1983 3-D movie trend.
Career Launchpad: Along with Christine and 10 to Midnight, this 1983 breakout trio successfully launched her into a decades-long Hollywood career.
3 days, 12 hours ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Directed by Pete Walker, the 1983 horror comedy House of the Long Shadows follows an American author (Desi Arnaz Jr.) who bets his publisher he can write a classic Gothic novel in 24 hours at a creepy, deserted Welsh manor.
His typewriter time is quickly derailed by a bizarre, spooky family reunion featuring horror icons Vincent Price, Christopher Lee, Peter Cushing, and John Carradine, culminating in deep family secrets, multiple murders, and absurd plot twists.
The film was produced by Menahem Golan and Yoram Globus and released theatrically by Cannon Film Distributors.
Why Audiences Booed the Movie
Misallocated High Budget: A massive $7.5 million budget was spent mostly on securing horror icons Vincent Price, Christopher Lee, Peter Cushing, and John Carradine, but this classic star power failed to attract 1980s theatergoers, turning the film into a major box office flop.
Mismatched Marketing: It was advertised as a serious, terrifying horror film, but it was actually an old-school dark comedy and parody, which left misled ticket buyers feeling tricked and angry.
Outdated Style: Its slow-burn, gothic tone could not compete with the fast-paced slasher films that audiences actually wanted to see at the time.
Genre Identity Crisis: The film was "neither fish nor fowl," meaning it wasn't scary enough for horror fans nor funny enough for comedy audiences, alienating both crowds and leaving it to rely strictly on a niche cult following.
3 days, 13 hours ago
Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1985 list
Audiences and critics generally reacted to The Emerald Forest with a mix of deep fascination and emotional engagement.
It was viewed as a rare "action picture for people who hate action pictures," balancing visceral adventure with a strong, timely ecological message.
What Audiences Loved
The Immersive Visuals: Audiences were captivated by the film’s gorgeous, mystical depiction of the Amazon rainforest.
Director John Boorman shot on location, which gave the movie an intense, raw authenticity that transported viewers.
The Emotional Core: The central plot, a desperate father (Powers Boothe) spending 10 years searching for his lost son, deeply resonated with viewers.
Boothe’s performance was widely praised for grounding the mystical elements in a very real, heartbreaking human struggle.
The Environmental Message: In 1985, the devastating impact of industrialization on rainforests was just entering mainstream public awareness.
Audiences responded strongly to how the film framed the destruction of the jungle through the building of a massive dam.
Where Audiences and Critics Were Divided
The "Noble Savage" Trope: Some viewers felt the movie overly romanticized indigenous tribes and relied a bit too heavily on the "noble savage" stereotype.
The Shift into Mysticism: While the first half plays out as a realistic, suspenseful search and-rescue drama, the second half leans heavily into magic realism and tribal mysticism (such as a rain dance causing a flash flood).
This sudden shift felt a bit jarring or "clunky" to a segment of the audience.
Behind-the-Scenes Fine Tuning
Director John Boorman actually used early test screenings to shape the final film based on direct audience feedback:
Subtitles: Test audiences struggled with the native dialogue, prompting Boorman to add distinct subtitles high up on the screen.
The Ending: The original cut featured a heavily emotional apartment reunion scene between the son and his mother (Meg Foster).
Audience data tracking and telephone surveys revealed that viewers felt the scene didn't fit, so Boorman completely re-cut it into a much simpler, more powerful reconciliation
3 days, 15 hours ago
Agent Kermit D. Fonz added 4 items to Why The Box Office?: Films of 1980s: 1985 list
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3 days, 16 hours ago
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www.listal.com/list/ive-seen-pose-144
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www.listal.com/list/moistureproof
And be careful who you meet at the beach or go for a swim,...
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www.listal.com/list/the-tao-of-shay-mitchell
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www.listal.com/list/lookalikes-part-iii
www.listal.com/list/lookalikes-part-vi
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