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7 Reviews
CollectionsIt's by no means, a great film. It is however, a chesstaculary fun over the top movie.
Probably the best part of the film, is William Fichtner as "The Accontant", that and Nicholas Cage's hair.
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What you should know about me:I own a pet cat, love cheesy action and horror movies, occasionally watch hockey, love listening to pretty any kind of music, hard rock, classic rock and pop, old school rap, 80's and 90's music, heavy metal, you name it, and I am also from Canada.
Also known as Jamie M.
About voting:
I'll try to get to voting as many lists, as humanly possible, in my spare time.
Since there's alot of awesome lists and pictures, out there I'll try to vote as many times as I can.
About lists that are in work: It will be huge undertaking, so some will take longer than others to finish off.
About the ratings:
***** Great or awesome
****. Good
***. Decent or Ok
**. Meh
*. It stinks!
No Stars. You get the idea.
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Recent reviews
Drive Angry review
Posted : 11 years, 5 months ago on 3 April 2015 03:13
(A review of Drive Angry)
1 comments, Reply to this entry
The Interview review
Posted : 11 years, 9 months ago on 25 December 2014 07:05
(A review of The Interview)Having just seen The Interview, I would have to say it was pretty great film. Granted, some of the jokes where hit and miss, but it was still not that bad of a movie.
0 comments, Reply to this entry
Jack and Jill review
Posted : 14 years, 3 months ago on 24 June 2012 03:55
(A review of Jack and Jill)I would say that this is a bottom of the barrel comedy, but I would be insulting both barrels and the bottom of barrels.
2 comments, Reply to this entry
Whitney review
Posted : 14 years, 10 months ago on 15 November 2011 05:23
(A review of Whitney)Tried watching this show a couple of times, but gave up on it after a few episodes. The fact that Whitney, is still on the air and that Community could be placed on an indefinite hiatus, and possibly cancelled by the "evil peacock network", says a lot about the "evil peacock network"'s priorities.
0 comments, Reply to this entry
Season of the Witch review
Posted : 14 years, 11 months ago on 29 October 2011 02:04
(A review of Season of the Witch)If your ever wondered, what The Name of The Rose, Monty Python and The Holy Grail, and The Devils, would be like featuring stilled dialogue, cheesy CGI, a predictable plot you can see coming from a mile away, and Nicholas Cage, then this film is for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
0 comments, Reply to this entry
Vanishing On 7th Street review
Posted : 15 years ago on 24 September 2011 05:08
(A review of Vanishing On 7th Street)It was an okay film, with an okay premise, but it fell apart at the very, very end.
1 comments, Reply to this entry
Dragonball Evolution review
Posted : 15 years ago on 18 September 2011 10:31
(A review of Dragonball Evolution)Best comedy, ever!
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
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Lists
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Why the Box Office?: Films of 1980s: 1980
(33 items)Movie list by Agent Kermit D. Fonz Published 3 weeks, 6 days ago
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Why the Box Office?: Films of 1980s: 1983
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Gone, but not forgotten
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Why the Bomb?: Films of 1980’s: 1983
(23 items)Movie list by Agent Kermit D. Fonz Published 1 week, 1 day ago
Why The Box Office?: Films Of The 1980’s: 1984
(2 items)
Movie list by Agent Kermit D. Fonz Last updated 4 days, 15 hours ago
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Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1980 list
In 1980, director Hal Needham unleashed Smokey and the Bandit II, sending Jerry Reed, Sally Field, and the Bandit on a high-speed, elephant-bootlegging race across the South!
Breaker, breaker, 10-4: the 1980 sequel Smokey and the Bandit II hauled in $66.1 million on a $17 million budget by riding the massive convoy of goodwill left by the 1977 original.
The 10-4 on Smokey and the Bandit II :
Star Convoy: Burt Reynolds and Jackie Gleason drove immediate public interest.
Record Throttle: Smashed box office records with an $18.1 million opening week.
Fan Favorites: Delivered more high-speed car crashes and hilarious Sheriff rivalry.
Big Payday: Grossed $66.1 million, ranking as 1980's eighth highest-earning film.44 minutes, 33 seconds ago
Agent Kermit D. Fonz added 5 items to Why the Box Office?: Films of 1980s: 1980 list
1 hour, 53 minutes ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
In 1983, the emotional mother daughter drama Terms of Endearment, based on Larry McMurtry's novel and starring Shirley MacLaine, Debra Winger, and Jack Nicholson—won five Academy Awards, including Best Picture.
Produced on an $8 million budget, Terms of Endearment became a massive hit, grossing $108.4 million at the box office.
Terms of Audience
Realism Sells: Relatable family drama drew massive adult audiences.
Word of Mouth: Authentic tears and laughter drove repeat ticket sales.
Big Return: Real-life themes turned a small drama into a $108.4 million hit.
Too Weepy: Critics called the tragic ending emotionally manipulative.
Saved by Wit: Sharp comedy stopped it from becoming pure melodrama.
Teardrop Gold: The emotional punch drove repeat viewings and $108.4 million in sales.
Author Reacts
“Go Do Your Movie": Larry McMurtry gave total creative freedom and did not interfere.
Oscar Thanks: Director James L. Brooks publicly thanked him on stage for his trust.5 hours, 59 minutes ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Based on Colleen McCullough's bestselling novel and directed by Daryl Duke, ABC's 1983 miniseries The Thorn Birds starred Richard Chamberlain and Rachel Ward, drawing 140 million viewers over its epic four-night run.
Scandalous Romance: Centred on a taboo, forbidden love affair between a Catholic priest and a young woman.
Star Power: Anchored by "King of the Miniseries" Richard Chamberlain alongside a legendary cast.
Exotic Drama: Delivered a lush, highly emotional family saga set against the sweeping Australian Outback.
Event TV: Aged into an addictive, four-night national phenomenon that completely gripped the country.
Catholic Backlash: Condemned by groups for portraying a priest breaking his vows of celibacy.
Fake Australia: Infuriated Aussies for filming in California/Hawaii with terrible, fake accents.
Acting Backlash: Lead actress Rachel Ward was traumatized by brutal critical mocking of her acting.
Author Disgust: Novelist Colleen McCullough publicly trashed the production as "instant vomit."1 day, 1 hour ago
Agent Kermit D. Fonz added 3 items to Why the Box Office?: Films of 1980s: 1983 list
1 day, 4 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Directed by Irvin Kershner and written by Lorenzo Semple Jr., Never Say Never Again stars Sean Connery in his final performance as James Bond, following an aging 007 who must abandon a strict health-clinic diet to stop a rogue SPECTRE nuclear ransom plot.
The Gadget Budget: Cost $36 million to bring Sean Connery back.
The Global Haul: Weaponized the box office to gross $160 million
worldwide.
The Record Kill: Shattered the October domestic opening record with $10.9 million.
Battle of the Bonds: Beat Roger Moore's Octopussy domestically, though Moore's official entry took the worldwide crown with $187.5 million.
The Behind-the-Scenes Drama
The Loophole: A lawsuit over the stolen Thunderball novel granted Kevin McClory the rights to make a rival, non-franchise Bond film [McClory vs. Fleming].
The Erased Writer: Original co-writer Jack Whittingham was cut out of the profits and died without receiving proper public credit.
The Title Joke: After swearing he would "never again" play 007, Sean Connery took a massive paycheck, prompting his wife to cheekily coin the title.
The Final Exit: A chaotic shoot and an absentee producer forced Connery to run the set himself, souring him on the role forever.
Why Fans Say "Never Again"
The Off-Brand Look: Legal restrictions stripped the movie of the gun barrel intro, the animated credits, and the iconic 007 theme music.
Remake Fatigue: Audiences felt it was a clunky, slow-paced rehash of the far superior 1965 film Thunderball.
Cheap Production Value: Viewers blasted the film's bland cinematography, messy editing, and a widely hated, cheesy jazz score.
Cringey Tropes: Fans cringed at dated elements, especially a lengthy, goofy electronic video game battle between Bond and the villain.1 day, 21 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Defying all odds, director and star Barbra Streisand transformed Isaac Bashevis Singer’s story into a cinematic triumph alongside Mandy Patinkin and Amy Irving, capturing five Academy Award nominations and making history with a Golden Globe for Best Director.
Against a strict $12 million budget, Yentl became a top 20 box office success in 1983 by grossing $40.2 million domestically and $68.7 million worldwide.
Audience & Community Reactions
Jewish Community Response
Author Backlash: Author Isaac Bashevis Singer hated the musical format and the changed ending.
Feminist Praise: Liberal communities celebrated the focus on women's exclusion from religious study.
Traditional Critique: Orthodox scholars criticized inaccuracies in Jewish law and the deceptive plot.
Queer Impact: LGBTQ+ Jews embraced the themes of gender fluidity and hidden identity.
Sabbath Dispute: Friday night screening debates in Israel forced Streisand to personally intervene.
Non-Jewish & Mainstream Response
Universal Appeal: Mainstream viewers connected with the story of perseverance and education.
Streisand Draw: Broad ticket sales were heavily driven by Streisand's star power.
Feminist Anthem: Secular women championed the film's fight against patriarchal barriers.
Musical Confusion: Audiences found it jarring that Streisand sang all songs as internal monologues.
Initial Skepticism: The public initially hesitated at the cross-dressing premise before applauding it.
2 days, 4 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
The 1983 animated featurette Mickey's Christmas Carol, directed by Burny Mattinson and featuring the voices of Alan Young and Wayne Allwine, is a heartwarming adaptation of Charles Dickens' classic tale that marked Mickey Mouse's return to the big screen after a 30-year absence.
Because Mickey's Christmas Carol was a 26-minute featurette, it did not have a standalone traditional box office run. Instead, it generated $21 million in revenue against an estimated $3 million budget by playing as an opening attraction alongside major theatrical re-releases.
How It Made Money
Theatrical Pairing: In North America, Disney attached the short to a major theatrical re-release of The Rescuers, while international markets paired it with The Jungle Book.
Nostalgia Marketing: It was heavily marketed around Mickey Mouse’s highly anticipated return to the big screen after a 30-year absence from theaters.
Home Media & Television: It quickly transitioned into a highly profitable annual holiday staple via television broadcasts, VHS sales, and eventually streaming platforms.
Unanimous Praise: Critics and audiences warmly embraced the film, celebrating it as a beautifully animated, concise, and faithful adaptation of Charles Dickens' classic tale.
Mickey's Return: Viewers were deeply nostalgic and thrilled to see Mickey Mouse and the classic Disney cast return to the big screen after a 30-year theatrical absence.
Instant Holiday Classic: Reviewers highly praised Alan Young's debut performance as Scrooge McDuck, instantly cementing the short as an annual holiday tradition for families.
2 days, 10 hours ago
Agent Kermit D. Fonz added 2 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 3 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
Released in 1983, A Christmas Story was directed by Bob Clark and starring Peter Billingsley as Ralphie, this definitive 1940s comedy follows a boy's desperate quest for a Red Ryder BB gun, evolving from a modest $19.2 million box office run into an iconic holiday masterpiece via 24-hour cable marathons.
The Modest Launch: Studio executives struggled to market its quirky, nostalgic style, leading to a limited 900-theater release with minimal advertising that earned a quiet but profitable $19.2 million on a $3.3 million budget.
Why It’s the Gift That Keeps On Giving:
The Critical Shift: Initial reception was mixed-to-positive—with some critics praising its nostalgic charm and others knocking its episodic structure—before evolving into today's unanimous modern consensus as an adored holiday masterpiece.
The Cable Legend: Home video rentals and the legendary 24-hour holiday marathons on TBS and TNTultimately bypassed the quiet theatrical run, transforming the film into a massive, permanent cultural phenomenon.
A Canadian Holiday Staple: While celebrated globally, A Christmas Story features major Canadian roots with filming locations in Toronto and St. Catharines, Ontario, making it a regular prime-time centerpiece on the CBC holiday broadcast lineup.3 days ago
Agent Kermit D. Fonz added 3 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 4 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Strange Invaders is a 1950s-style sci-fi mystery—directed by Michael Laughlin and starring Paul Le Mat and Nancy Allen, about a university professor who discovers his missing ex-wife's hometown has been covertly overtaken by extraterrestrials who begin hunting him after he leaks the story to a tabloid.
Why people found Strange Invaders too strange.
Huge Financial Deficit: The film generated a mere $1.36 million to $1.6 million USD globally, recouping roughly only a quarter of its $5.5 million USD production budget.
Lack of Star Power: The studio heavily pushed to hire a mainstream celebrity to sell tickets, but casting ultimately landed on the relatively lower-profile actor Paul Le Mat.
Studio Interference: Bureaucratic friction between co-producers Orion Pictures and EMI Films forced major script rewrites that watered down the plot and trimmed government cover-up subplots.
Niche Appeal: Mainstream 1983 audiences completely bypassed the movie's specialized, quirky 1950s pulp sci-fi homage, despite highly favorable reviews from nostalgic critics.
Canceled Trilogy: The box office disaster permanently forced director Michael Laughlin and co-writer Bill Condon to cancel their planned "Strange Trilogy," though Condon would later find massive Hollywood success directing hits like Gods and Monsters and Dreamgirls.
4 days, 5 hours ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Smokey and the Bandit Part 3 is a 1983 action comedy film directed by Dick Lowry and starring Jackie Gleason, Jerry Reed, Paul Williams, Pat McCormick, and Colleen Camp that follows Sheriff Buford T. Justice as he attempts to transport a fake shark from Miami to Texas, completely unaware that Big and Little Enos have hired Cledus "Snowman" Snow to disrupt the journey.
Anyone got it?
How does one tank a series?
Absence of Core Talent: Franchise star Burt Reynolds and original director Hal Needham both refused to return, leaving an unfillable void only patched by a one-second archive cameo from Reynolds.
Production Identity Crisis: Universal originally filmed Jackie Gleason playing both the Bandit and the Sheriff, but confusing test screenings forced expensive reshoots that frantically pushed Jerry Reed into the lead role.
Critical Backlash: Fans and critics completely panned the movie as a shameless, lazy cash grab filled with uninspired stunts and heavily recycled plot lines.
Financial Collapse: The film became a major box office bomb, grossing a meager $7 million against a $9 million budget and permanently killing the theatrical franchise.
Genre Death: Mainstream audience tastes shifted toward sci-fi and modern action, permanently ending the 1970s era of Southern car-chase comedies.
Career Derailment: The saturation of consecutive flops like this permanently stripped Burt Reynolds of his decades-long status as Hollywood's top box-office draw.
4 days, 6 hours ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Directed by Joseph Sargent , the 1983 horror anthology film Nightmares stars Cristina Raines, Emilio Estevez, Lance Henriksen, Richard Masur, and Veronica Cartwright in four short stories about a housewife encountering an escaped killer, an arcade junkie trapped in a video game, a faithless priest hunted by a demonic truck, and a family terrorized by a giant rat.
Why was Nightmares, a box office Nightmare?
Box Office & Financial Failure
Financial Loss: Although it made back its $6.67 million production budget, it was a box office flop once marketing, distribution, and theater splits were counted.
Cult Status: The movie later found success and a cult following through VHS rentals and cable television airings.
Production & Creative Limitations
TV Roots: It was originally shot as an NBC television pilot, leaving it with a cheap, flat visual look after Universal added filler footage for theaters.
Lack of Scares: Because it was made for TV, it lacked the gore and intensity that horror fans in 1983 expected.
The 1983 Anthology Trend
Studio Cash-In: Universal rushed the film into theaters to profit off the anthology craze sparked by Creepshow and Twilight Zone: The Movie.
Heavy Competition: It ultimately failed to compete against these much larger, higher-quality genre films.
Lasting Industry Impact
Death of Theater Anthologies: Its failure, alongside Creepshow 2, scared major studios away from funding big-screen horror anthologies for decades.
Move to Television: Its success on cable proved the format worked better on the small screen, directly inspiring hit TV shows like Tales from the Darkside and Tales from the Crypt.
Indie Revival: The theatrical format only returned decades later through low-budget, independent streaming franchises like V/H/S.4 days, 7 hours ago
Agent Kermit D. Fonz added 1 item to Why the Bomb?: Films of 1980’s: 1983 list
Directed by John Herzfeld, the 1983 romantic-fantasy film Two of a Kind stars John Travolta and Olivia Newton-John as two deeply flawed humans who must learn to selflessly sacrifice for each other so that a group of angels can convince God not to destroy Earth.
Budget and Box Office:
With a budget estimated at $14 million, and grossing $23.6 million domestically, it considered to be a box office disaster because the theatrical returns failed to cover marketing costs or meet studio expectations.
Why the Movie Failed:
Bizarre plot: A confusing storyline about angels trying to save Earth from destruction ruined its appeal as a romantic comedy.
Bad reviews: Critics savaged the film's cheap effects and dialogue, earning it a Razzie nomination for Worst Picture.
Unlikable characters: Forcing the Grease duo into a chaotic crime story made them unappealing to audiences.
Dead genre: By 1983, viewers had lost patience with cheesy Hollywood musical-fantasies, preferring gritty dramas and sci-fi blockbusters.
Impact on the Soundtrack and Stars
Successful soundtrack: Despite the movie's failure, the soundtrack became a platinum hit with chart-topping tracks like "Twist of Fate."
Travolta's career spiral: The flop shattered John Travolta's star status and sent his career into a decade-long downward spiral until Pulp Fiction (1994).
Newton-John's pivot: The film ended Olivia Newton-John's run as a Hollywood leading lady, though her pop stardom survived, allowing her to transition into business and health advocacy.
4 days, 14 hours ago
Agent Kermit D. Fonz added 27 items to Why the Box Office?: Films of 1980s: 1983 list
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Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 10 items to Why the Box Office?: Films of 1980s: 1983 list
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Pictures
Collection stats
| Watched | Want to watch | |
 Movies |
5013 | 70 |
 TV |
935 | 3 |
| Owned | Wanted | Used | |
 DVDs |
1600 | 46 | |
 Books |
16 | 34 | 58 |
 Music |
136 | 464 | 3747 |
 Games |
3 | 7 |
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