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CollectionsIt's by no means, a great film. It is however, a chesstaculary fun over the top movie.
Probably the best part of the film, is William Fichtner as "The Accontant", that and Nicholas Cage's hair.
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About me
What you should know about me:I own a pet cat, love cheesy action and horror movies, occasionally watch hockey, love listening to pretty any kind of music, hard rock, classic rock and pop, old school rap, 80's and 90's music, heavy metal, you name it, and I am also from Canada.
Also known as Jamie M.
About voting:
I'll try to get to voting as many lists, as humanly possible, in my spare time.
Since there's alot of awesome lists and pictures, out there I'll try to vote as many times as I can.
About lists that are in work: It will be huge undertaking, so some will take longer than others to finish off.
About the ratings:
***** Great or awesome
****. Good
***. Decent or Ok
**. Meh
*. It stinks!
No Stars. You get the idea.
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Recent reviews
Drive Angry review
Posted : 11 years, 5 months ago on 3 April 2015 03:13
(A review of Drive Angry)
1 comments, Reply to this entry
The Interview review
Posted : 11 years, 8 months ago on 25 December 2014 07:05
(A review of The Interview)Having just seen The Interview, I would have to say it was pretty great film. Granted, some of the jokes where hit and miss, but it was still not that bad of a movie.
0 comments, Reply to this entry
Jack and Jill review
Posted : 14 years, 2 months ago on 24 June 2012 03:55
(A review of Jack and Jill)I would say that this is a bottom of the barrel comedy, but I would be insulting both barrels and the bottom of barrels.
2 comments, Reply to this entry
Whitney review
Posted : 14 years, 10 months ago on 15 November 2011 05:23
(A review of Whitney)Tried watching this show a couple of times, but gave up on it after a few episodes. The fact that Whitney, is still on the air and that Community could be placed on an indefinite hiatus, and possibly cancelled by the "evil peacock network", says a lot about the "evil peacock network"'s priorities.
0 comments, Reply to this entry
Season of the Witch review
Posted : 14 years, 10 months ago on 29 October 2011 02:04
(A review of Season of the Witch)If your ever wondered, what The Name of The Rose, Monty Python and The Holy Grail, and The Devils, would be like featuring stilled dialogue, cheesy CGI, a predictable plot you can see coming from a mile away, and Nicholas Cage, then this film is for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
Cage, plays a knight quested to deliver a young women, believed to be the cause of the Bubonic Plague, and of being a witch.
Also, the wolves in the film are of the CGI variety, but the unintentional laughs are very, very real.
Lovers of bad cinema, this is film is just for you!
0 comments, Reply to this entry
Vanishing On 7th Street review
Posted : 14 years, 11 months ago on 24 September 2011 05:08
(A review of Vanishing On 7th Street)It was an okay film, with an okay premise, but it fell apart at the very, very end.
1 comments, Reply to this entry
Dragonball Evolution review
Posted : 14 years, 12 months ago on 18 September 2011 10:31
(A review of Dragonball Evolution)Best comedy, ever!
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
I know it isn't but from the very beginning, I found the film very much unintentionally hilarious.
Yes, I know that the TV series, had their moments of humor, but the live action takes it to the next level.
A direct comparison, would be Super Mario Bros and Double Dragon, both awesomely bad, and both worth checking out if you like really horribly awful, but yet entertainingly horribly bad movies films, this film definitely belongs way up there with them.
0 comments, Reply to this entry
Lists
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Why the Box Office?: Films of 1980s: 1980
(34 items)Movie list by Agent Kermit D. Fonz Published 2 weeks, 5 days ago
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Why the Box Office?: Films of 1980s: 1981
(47 items)Movie list by Agent Kermit D. Fonz Published 2 weeks, 2 days ago
Why the Bomb?: Films of 1980’s: 1983
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Movie list by Agent Kermit D. Fonz Published 24 minutes, 49 seconds ago
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Box Office Crunching: 1980’s
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Why The Box Office?: 1980s
(6 lists)Movie list by Agent Kermit D. Fonz Published 1 week ago
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The Beyond box office performance was modest and barely covered its low production budget because it was an independent, highly graphic Italian gore film with a scattered, surreal plot that limited its initial mainstream appeal.
Box Office Factors
Low Budget and Niche Release: Directed by Lucio Fulci, the film operated on a small budget (around $400,000) and grossed minimal theatrical returns during its initial 1981 release in Italy and later truncated North American runs.
Scattered Narrative: Contemporary audiences and box office numbers were hindered by the film's dream-logic and narrative inconsistencies, which favored nightmarish surrealism over a traditional, linear story. [
Censorship and Re-edits: Delayed North American distribution in 1983 under the edited title 7 Doors of Death and strict "video nasty" censorship in the UK restricted its commercial momentum at the time.
Legacy and Cult Following
Despite low initial box office returns, The Beyond gained a massive international cult following over subsequent decades.
Fans and directors like Quentin Tarantino later championed the movie for its striking cinematography, atmospheric score by Fabio Frizzi, and visceral practical effects. 11 minutes, 50 seconds ago
Agent Kermit D. Fonz added 2 items to Why the Bomb?: Films of 1980’s: 1983 list
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Why the Bomb?: Films of 1980’s: 1983 (2 movies items)24 minutes, 49 seconds ago
Agent Kermit D. Fonz added 1 item to Why the Box Office?: Films of 1980s: 1983 list
All the Right Moves was a modest commercial success at the box office, grossing $17.2 million against a production budget of $5.6 million.
While it made roughly three times its budget, its box office performance is frequently analyzed by film historians for two main reasons:
Overshadowed by Risky Business: Released just a few months prior in August 1983, Risky Businessbecame Tom Cruise’s definitive breakout mega-hit, pulling in a massive $63.5 million on a tiny $6.2 million budget. By comparison, All the Right Moves felt like a much smaller, quieter success.
A Gritty, Niche Premise: Unlike typical high-energy 1980s teen films, this movie was a somber, blue-collar sports drama focused on economic decline and a high schooler's desperate bid to escape his hometown.
The heavy themes limited its mainstream, blockbuster appeal.42 minutes, 30 seconds ago
Agent Kermit D. Fonz added 3 items to Why the Box Office Bomb?: Films of 1980s: 1982 list
1 hour, 21 minutes ago
Agent Kermit D. Fonz added 1 item to Why the Box Office Bomb?: Films of 1980s: 1982 list
The 1982 Western film Barbarosa, starring Willie Nelson and Gary Busey, bombed commercially due to severe distribution problems, an oversaturated studio merger, and a lack of marketing support.
Despite receiving critical acclaim and later becoming a cult classic, it grossed less than $1.8 million against its $10 million to $12 million budget.
The primary reasons for its box office failure include:
The AFD and Universal Deal: The film was independently produced by ITC Entertainment.
It was caught in limbo when Universal Pictures acquired Associated Film Distribution (AFD).
Because Universal did not produce the film, they lacked a financial incentive to promote it and heavily resisted putting resources toward its release.
“Dumped" and Abruptly Pulled: Universal initially quietly "dumped" the film into a limited number of Southern drive-ins and theaters with a tiny $500,000 promotional push.
When it generated low initial turnout, Universal immediately pulled it from distribution rather than letting it build an audience.
The Decline of the Western: In the early 1980s, the Western genre was considered "box office poison" and was largely dying out in Hollywood, making studios hesitant to fight for a Western's theatrical survival.
The movie was temporarily saved from total obscurity when prominent critics like Gene Siskel and Pauline Kael openly condemned Universal's poor treatment of the film.
Their public complaints forced the studio to give the film a limited re-release in New York and Los Angeles later that year, though the financial damage was already done.
Willie Nelson did not sing, play his guitar, or write the music for this movie.
For film-goers in 1982, a "Willie Nelson Movie" meant hearing his signature voice, watching him play his famous Trigger guitar, and buying a hit soundtrack.
By stripping all of that away, the film accidentally disconnected from what Willie's core fanbase wanted.
The music dynamic directly impacted the box office in three ways:
No Big Radio Hit to Promote the Film
When Willie did Honeysuckle Rose (1980), the movie was promoted heavily on the radio by its mega-hit song "On the Road Again".
Barbarosa didn’t have a single country radio track to generate buzz. Instead, the film relied on a traditional orchestral score composed by Bruce Smeaton.
Without a Willie Nelson song playing on the radio, casual music fans had no idea he even had a movie coming out.
Confused Film Goers
In his previous films, Willie essentially played variations of himself—a country star or a singing cowboy.
In Barbarosa, he went completely "against type" to play a gritty, mythic Mexican-border outlaw who spent his time sleeping in caves and eating armadillos.
Film-goers who went in expecting a fun, guitar strumming country adventure were met with a serious, quiet, dramatic Western.
Missing the Multi-Media Box Office "Double Dip"
In the 1980s, music movies were box office gold because the album sold the movie, and the movie sold the album.
Because Willie's guitar was absent, there was no Willie Nelson soundtrack album in record stores to serve as free marketing for the theatrical release.
While critics today on platforms like Collider praise the film because it proved Willie was a genuinely great dramatic actor who didn't need to lean on his music career, in 1982, the lack of his iconic guitar-playing ultimately kept his massive music fanbase away from the box office.21 hours, 25 minutes ago
Agent Kermit D. Fonz added 2 items to Why the Box Office Bomb?: Films of 1980s: 1982 list
23 hours ago
Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1982 list
Six Pack is a comedy-drama sports film starring country music legend Kenny Rogers that became a surprising box office hit when it was released on July 16, 1982.
Why 1982? Kenny Rogers Was at the Absolute Peak of His Fame
In 1982, Kenny Rogers was one of the biggest entertainers in the world. Hollywood desperately wanted to capitalize on his massive crossover appeal.
The "Country-Pop" Boom: The late 1970s and early 1980s saw a massive wave of country-themed pop culture success (fueled by movies like Urban Cowboy and Smokey and the Bandit).
A Proven TV Asset: Rogers had already starred in highly successful made-for-TV movies like The Gambler (1980). 1982 was the perfect year to finally transition him into a major theatrical leading man.[
Built-in Soundtrack Success: Rogers co-wrote and sang the movie's theme song, "Love Will Turn You Around".
The song was released concurrently with the movie in 1982, immediately topping both the Country and Adult Contemporary billboard charts, acting as a massive promotional vehicle for the film.
Why Was it a Box Office Success?
Against a modest budget of roughly $11.5 to $13.5 million, Six Pack went on to gross $20,225,989 at the domestic box office. When adjusted for modern inflation, that equates to roughly $70 million today. It succeeded because:
The Perfect Formula: The movie perfectly blended NASCAR racing culture, lighthearted comedy, and a heartwarming family drama (Rogers plays a down-on-his-luck race car driver who takes in six orphan kids who stole parts from his car).
It was tailored beautifully to working class, Southern, and Midwestern American audiences.
A Historically Massive Year for Cinema: According to a historical report by The New York Times, 1982 was a record-breaking "bonanza year" for theater attendance.
Overall ticket sales jumped 16% across the US, meaning the film benefited from a massive wave of people routinely going out to the movies that summer.
A Stellar Debut Cast: Beyond Kenny Rogers, the film featured Diane Lane and marked the official theatrical debut of a 14-year-old Anthony Michael Hall (who would soon become a massive 80s icon).
Despite its strong box office numbers, Six Pack famously remains Kenny Rogers’ only major US theatrical starring role, as he chose to stick closer to television and music afterward. 1 day, 16 hours ago
Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1982 list
The Year of Living Dangerously was only a modest box office hit because it was a dense, politically complex historical drama that targeted a mature audience rather than mainstream moviegoers.
While the film was highly acclaimed and earned Linda Hunt an Academy Award, several factors shaped its financial performance:
The Box Office Numbers
The movie was one of the most ambitious and expensive Australian productions of its era, but its specialized subject matter limited its commercial reach:
Budget: A$6 million (roughly equivalent to $13 million USD estimated overall production costs).
US & Canada Gross: $10.3 million USD.
Australian Gross: A$2.9 million.
Why It Wasn't a Massive Blockbuster
Challenging Subject Matter: Set during the 1965 attempted overthrow of Indonesian President Sukarno, the heavy focus on foreign journalism, poverty, and complex Cold War politics wasn't geared toward a mass popcorn movie audience.
Distribution Strategy: MGM/UA rolled out the film via a limited release in January 1983 before expanding nationwide a month later. This slow rollout built critical prestige but did not generate massive opening-weekend momentum.
[Production Disruptions: While filming in Manila, the production received severe death threats alleging the movie was anti-Islam.
The entire cast and crew had to be abruptly relocated to Sydney to finish filming, putting an unexpected financial strain on the project.
Despite not breaking box office records, the film did successfully establish Mel Gibson as a prominent international leading man and cemented its legacy through its enduring, culturally embedded title phrase. 1 day, 18 hours ago
Agent Kermit D. Fonz added 4 items to Why The Box Office?: Films of 1980s: 1982 list
1 day, 19 hours ago
Agent Kermit D. Fonz added 2 items to Why the Box Office Bomb?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 2 items to Why The Box Office?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 1 item to Why the Box Office Bomb?: Films of 1980s: 1982 list
John Carpenter’s The Thing (released in 1982, though filmed in 1981) originally flopped at the box officebecause it was too dark, gory, and nihilistic for audiences who were craving optimistic sci-fi. It grossed only $19.6 million against a $15 million budget, losing money once marketing costs were factored in.
The film's initial failure came down to three major factors:
The "E.T." Effect & Aggressive Competition
Steven Spielberg’s E.T. the Extra-Terrestrial had been released just two weeks prior. E.T. completely dominated pop culture with its heartwarming, friendly portrayal of alien life.
Moviegoers simply did not want to see a shape-shifting alien violently tearing people and dogs apart.
A Crowded Summer: The summer of 1982 was packed with legendary genre films. The Thing had to compete directly for ticket sales against Poltergeist, Star Trek II: The Wrath of Khan, and Blade Runner.
Extreme Critical Backlash
Film critics at the time universally despised the movie.
Focus on Gore: Critics like Roger Ebert called it "dull" and argued that the groundbreaking practical effects by Rob Bottin were just cheap, repulsive shock value that came at the expense of character development.
Insults from the Past: Christian Nyby, the director of the original 1951 adaptation (The Thing from Another World), publicly trashed Carpenter's version, stating, "If you want blood and gore, go to a slaughterhouse."
An Overwhelmingly Bleak Tone
No Hope: The movie features heavy themes of paranoia, isolation, and absolute distrust.
The Ending: It lacks a traditional "Hollywood happy ending." The final scene leaves the survival of the main characters completely ambiguous, which left 1982 audiences feeling depressed and unsatisfied.
The Turnaround
Despite nearly ruining John Carpenter’s career at the time, The Thing found a second life through VHS rentals and television broadcasts in the late 1980s and 1990s.
Today, it is widely re-evaluated as an absolute masterpiece of horror filmmaking, celebrated for having some of the greatest practical visual effects in cinema history.2 days, 20 hours ago
Agent Kermit D. Fonz added 4 items to Why The Box Office?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 9 items to Why The Box Office?: Films of 1980s: 1982 list
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Agent Kermit D. Fonz added 1 item to Why The Box Office?: Films of 1980s: 1982 list
The 1982 classic film My Favorite Year was a financial success, grossing $20,123,620 at the domestic box office against an estimated production budget of $7.9 million.
While it wasn't a massive blockbuster on the scale of that year's mega-hits like E.T. the Extra-Terrestrial, its performance was highly profitable for several key reasons:
Strong Word-of-Mouth: The film resonated heavily with audiences due to its nostalgic, frantic, and fond depiction of 1950s live television writer's rooms.
Critical Acclaim & Awards Buzz: The film earned immense critical praise, culminating in an Academy Award nomination for Peter O'Toole for Best Actor.
This critical recognition extended its shelf life and steady performance in theatres, eventually ranking as the #36 highest-grossing film of 1982.
Star Power and Appeal: Directed by Richard Benjamin in his directorial debut, the story was loosely inspired by executive producer Mel Brooks's real-life experiences writing for Sid Caesar’s Your Show of Shows.
Peter O'Toole's unforgettable portrayal of Alan Swann a character heavily based on legendary swashbuckler Errol Flynn became a massive draw for moviegoers. 2 days, 23 hours ago
Agent Kermit D. Fonz added 1 item to Why the Box Office Bomb?: Films of 1980s: 1982 list
Megaforce is historically recorded as one of the most significant box office disasters of 1982.
According to tracking data on Box Office Mojo and IMDb, the definitive financial numbers for the film's theatrical run are:
Production Budget: $20,000,000 (estimated)
Opening Weekend Gross: $2,350,021 (US & Canada, across 1,193 screens)
Total Domestic Gross: $5,675,599
Total Worldwide Gross: $5,675,599 (international distribution evaporated after the US failure)
The 1982 sci-fi action movie Megaforce flopped at the box office because it suffered from a massive budget, brutal summer competition, terrible critical reviews, and a campy tone that alienated theatre-goers.
Backed by a heavy marketing push, the film only managed to claw back $5.7 million against its massive $20 million budget (roughly equivalent to a major blockbuster at the time, exceeding movies like First Blood).
The failure can be attributed to several key factors:
Unbeatable Summer Competition
Megaforce opened on June 25, 1982, right into what is widely considered one of the most competitive blockbuster summers in Hollywood history. It was completely crushed by legendary hits like Steven Spielberg's E.T. the Extra-Terrestrial (which was an inescapable cultural phenomenon), Star Trek II: The Wrath of Khan, Poltergeist, and Rocky III.
To make matters worse, it opened on the exact same day as Ridley Scott's sci-fi masterpiece, Blade Runner.
Shameless Toy Commercial Aesthetics
The film was heavily funded and influenced by the Mattel Toy Corporation, which actually designed the film's futuristic costumes and vehicles so they could easily be scaled down into action figures and Hot Wheels cars.
This corporate tie-in severely backfired.
Instead of feeling like a gritty, high-octane action film, the production felt like a cynical, feature-length toy commercial.
Overwhelming Camp & Style Choices
Director Hal Needham (known for Smokey and the Bandit) tried to craft a loud, high-tech, American answer to James Bond, but producer Albert S. Ruddy opted for a bizarrely campy tone.
Lead actor Barry Bostwick was dressed in form-fitting skin-tight gold spandex jumpsuits and a baby-blue scarf, paired with a fluffy, meticulously coiffed hairdo.
Audiences looking for a serious action movie were turned off by the sheer silliness and the lead characters' repetitive, bizarre "thumb-kissing" gesture.
Poor Visual Effects and Production Chaos
Despite its large budget, Megaforce was plagued by financial trouble behind the scenes.
The production reportedly ran out of money mid-shoot, prompting pissed-off prop managers to strip the custom movie parts off the film's Suzuki motorcycles and ride away on them as payment.
Furthermore, the movie leaned heavily on a primitive green-screen replacement technology called Introvision.
While it saved money on physical sets, the resulting optical and visual effects looked cheap, jarring, and poorly integrated on the big screen.
Scathing Critical Reviews
Critics completely panned the movie. Celebrated critic Roger Ebert famously dismissed it as a collection of "mindless stunts and chase scenes repeating each other over and over".
It went on to secure three Golden Raspberry (Razzie) nominations, including Worst Picture and Worst Director.
Despite ruining Barr Bostwick's chances at a mainstream action career, Megaforce achieved massive popularity on late-night cable and VHS in the late '80s, cementing its legacy as a beloved, cult classic piece of 1980s cheese.
It famously served as the primary blueprint for Trey Parker and Matt Stone's 2004 satirical film, Team America: World Police.
The financial failure of Megaforce had a immediate and devastating impact on its studio, Golden Harvest, and sent shockwaves through the industry regarding how Hollywood marketed movies to children.
Here is exactly how its failure affected the box office and the film industry at the time:
It Nearly Bankrupted Golden Harvest's US Operations
The independent Hong Kong studio Golden Harvest (famous for Bruce Lee and Jackie Chan films) invested a staggering $20 million into Megaforce in a massive bid to break into the mainstream American market.
Because the film only grossed $5.7 million, the studio lost millions. The disaster forced Golden Harvest to drastically scale back its ambitions for Hollywood distribution, leading them to pivot away from high-budget American sci-fi and stick closer to their proven martial arts roots.
The Death of the "Toy-First" Movie Model (Temporarily)
In 1982, Megaforce was a massive experiment in corporate synergy. Mattel designed the vehicles and costumes specifically so they could manufacture toys simultaneously.
When the movie bombed, the toy line completely tanked, leaving retailers stuck with action figures children didn't want.
This disaster scared Hollywood and toy companies away from launching live-action movies purely to sell toys.
Instead, the industry shifted this strategy entirely to animation, leading to the boom of 1980s afternoon cartoons like He-Man and Transformers, which were much cheaper to produce and easier to control.
It Proved "Camp" Couldn't Compete with Earnest Sci-Fi
The summer of 1982 was a turning point for the sci-fi genre. Megaforce attempted to use a goofy, tongue-in-cheek, campy tone.
However, the box office returns that summer proved that audiences wanted earnest, high-stakes storytelling.
Movies like E.T., The Wrath of Khan, and even the darker Poltergeist dominated because they took their worlds seriously.
Megaforce showed studios that audiences would reject high-budget sci-fi if it felt like the filmmakers were treating the concept as a joke.
A Blow to the "Stuntman-as-Director" Trend
Following the massive success of Smokey and the Bandit and Hooper, Hollywood was eager to let legendary stuntman Hal Needham direct massive films.
Megaforce was meant to prove he could handle big-budget, special-effects-heavy sci-fi.
Its failure, combined with the lukewarm reception of his other later films, cooled Hollywood's enthusiasm for giving stunt coordinators blank checks to direct massive blockbusters, shifting power back to traditional narrative directors.3 days ago
Agent Kermit D. Fonz added 2 items to Why the Box Office Bomb?: Films of 1980s: 1982 list
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